Clay Lore and Studio Life
Stories shaped in clay.
In this series, we trace the evolving story of ceramics: from the fire-darkened vessels of Jōmon Japan to the 3D-printed forms of today. These entries aim not just to tell stories, but to teach — inviting readers to deepen their understanding of ceramic practice across time and culture.
If Marguerite Wildenhain taught discipline, Peter Voulkos kicked it off the wheel.
Before there were MFA programs, there was Marguerite…
The Bauhaus wasn’t merely a school — it was a statement of principles.
Bernard Leach was more than a potter. He was a bridge.
Hoji Hamada (1894–1978) was a quiet force in 20th-century ceramics —
In the high desert of the American Southwest, clay isn’t just a material — it’s a memory.
High in the hills of Kyushu, Japan, tucked between rice paddies and cedar groves, sits the quiet village of Onda (
Studio Life
Moments from inside Mayfield.
What we’re making, what’s going on, and who’s showing up. Shout-outs, updates, playlists, and the human side of the studio—all the muddy, heartwarming bits.
This winter, the clay is drying much slower, our hands are aching sooner, and the tea kettle becomes the most used tool in the studio, particularly by Andy and Michael.
This week in our ceramic studio in Abbotsford, we installed a pot belly stove. It isn’t a kiln. It’s not a digital heater. It’s something deeper: a cast-iron heart in the middle of our creative space…
And so we begin: with clay, and with a story…
More from the Studio
Clay is just the beginning. Explore the ideas, voices, and reflections that shape our creative life.
→ Conversations from the Studio
→ Studio Writing & Reflections

Shoji Hamada – The Potter Who Stayed Grounded (Early 20th-century Japan)
Hoji Hamada (1894–1978) was a quiet force in 20th-century ceramics —